Writer, Gallerist, Interpretive Programs Facilitator
I write reviews and essays on photography, literacy, memory, colonization and cultural violence. My writing has appeared in Afterimage: The Journal of Media Arts & Cultural Criticism and In the In-Between Editions.
As a curatorial research assistant in photography, I wrote the chronology and assisted in the production of Natural Magic: Salted Paper Prints in North America (Santa Barbara Museum of Art & University of Washington Press, 2015).
I've designed and led interpretive sessions with elementary and college students, public visitors, collectors and donors, and museum colleagues. As an art museum docent, my research specialties were in contemporary photography, European painting, and American conceptual art.
I have 4 years of experience as a gallerist, mainly directing exhibitions, creating public programs, instructing workshops, and handling marketing and press relations.
I have pursued continuing studies in online marketing, arts journalism, and conceptual history.
Email me.
As a curatorial research assistant in photography, I wrote the chronology and assisted in the production of Natural Magic: Salted Paper Prints in North America (Santa Barbara Museum of Art & University of Washington Press, 2015).
I've designed and led interpretive sessions with elementary and college students, public visitors, collectors and donors, and museum colleagues. As an art museum docent, my research specialties were in contemporary photography, European painting, and American conceptual art.
I have 4 years of experience as a gallerist, mainly directing exhibitions, creating public programs, instructing workshops, and handling marketing and press relations.
I have pursued continuing studies in online marketing, arts journalism, and conceptual history.
Email me.
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